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Thursday, December 3, 2009

Nutcracker Painting

One way to have students draw LARGE is to instruct them that their art must touch the top and the bottom of a piece of paper.
1. This project requires 10" x 18" paper, tempera paints, black sharpie marker and a gold opaque metallic marker. Have the students fold the 10" x 18" paper in half, crease, and open.
2. Show them how to draw in pencil a nutcracker that has a hat that touches the top edge, a belt that is on the fold, and shoes that are sitting on the bottom edge. Fill in the nutcracker with details such as boots, shirt button detail and face. The shoulders should nearly touch the sides of the paper.
3. Paint the nutcracker with tempera paints. Lots of red and black make for festive holiday colors.
4. Once the paint is dry, trace over the pencil lines with a black sharpie marker.
5. Use a gold opaque poster marker to fill in detail such as the buttons and cuffs.

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Wednesday, December 2, 2009

Crayon Resist Snowflakes

If you go to the holiday decoration section at Michael’s, you can find these amazing laser-cut wood snowflake decorations that are cheap (about three for $1) and perfect for making crayon rubbings. These are the same snowflakes I used for the Plaster Paperweight project.
1. I made this picture with a white crayon, but younger students could use bright colors they could see more easily. I placed the snowflake under my paper, and rubbed over it with the side of a large crayon, going back and forth in many directions.
2. Liquid watercolor was painted over all the picture, and dabbed with a paper towel to soak up the paint on the crayon.
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Tuesday, December 1, 2009

How to Draw a Winter Tree

Winter brings bare trees, and the to chance study and draw them without any worries about leaves. I’ve posted my favorite method of drawing "Y Trees” before (click here) but this time it’s with a winter theme.
1. I drew a large “Y” just using a black oil pastel. Then I added more “Y”s on the branches until it was filled.
2. I made the trunk and middle branches thicker, ending with just points at the tips of all the branches.
3. I drew a horizon line with a blue pastel, and filled in the sky as solid as I could. The darker, the better.
4. After mixing up some watery white tempera paint, I used a brush to shake drops all over my picture. No flinging, just shaking up and down. Let dry flat before you pick up your masterpiece.
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